Miles AldridgeDoors #2, 2023
Signed and numbered on reverse
Screenprint in colours
39 ¼ × 28 ¾ inches
Edition of 15 + 3 AP's
Signed and numbered on reverse
Edition of 15 + 3 AP's
Screenprint in colours
39 ¼ × 28 ¾ inches
This artwork is a screenprint in colours. Signed and numbered in pencil on the reverse. The work is an editioned print and comes directly from the artist's studio.
Framing
Miles Aldridge: Doors #2. For this picture, we recommend the 'BOX', a classic frame that is slimmer from the front and deeper from the side, turning your print into an elegant object on the wall. It is widely accepted as the finest way to frame photography, giving visual priority to the image and yet fitting stylishly into most interiors. This orange frame is is constructed to museum standards and designed by Aldridge's studio to highlight the colours in the print. Other options are of course available. Please note that prices do not include local taxes, framing or shipping.
Shipping
We aim to ship works that are unframed within 2 weeks, and within 6 weeks for works that are framed. We always aim to get your print to you as quickly as possible! However, please note that the times above may vary depending on the work. For exact timings, please get in touch. All works are shipped from the UK. Please note that prices listed above do not include framing or shipping.
Artwork In Detail
Miles Aldridge’s singular aesthetic is characterised by the use of vibrant hues and elaborately styled sets through which he explores surrealism, cinema and pop culture.
Miles Aldridge
Doors #2, 2023
EnquireMiles Aldridge: Doors #2 (2023)
Miles Aldridge
UK
B. 1964
EnquireMiles Aldridge has published several books, including ‘Pictures for Photographs’ (2009), ‘Other Pictures’ (2012), ‘I Only Want You to Love Me’ (2013), ‘Córdoba’ (2022) and most recently, ‘Please, Please Return Polaroid’ (2023). A major retrospective was held at Fotografiska (New York) in May 2021, having first appeared at the Fotografiska Museum in Stockholm (2020-2021). In 2014, he was invited by Tate Britain to create a temporary installation entitled ‘Carousel II’, as a response to Mark Gertler’s painting ‘Merry-go-Round’ (1916). In 2013, London’s Somerset House held a major retrospective of Aldridge’s drawings and photographs. Aldridge’s work is held in the collections of the National Portrait Gallery, London; the Victoria and Albert Museum, London and the International Center of Photography, New York.
