Erwin BlumenfeldNude Under Wet Silk, c. 1937

£45,000

Silver gelatin print on ferrotyped paper, printed c. 1937

11 3/4 x 9 1/2 inches

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Erwin Blumenfeld, 'Nude Under Wet Silk, c. 1937'

Silver gelatin print on ferrotyped paper, printed c. 1937

11 3/4 x 9 1/2 inches

Print

This artwork is a vintage silver gelatin print, printed circa 1937 on ferrotyped paper

Framing

Erwin Blumenfeld: Nude Under Wet Silk. For this picture, we recommend book-mounting the print in a passepartout and framing in a black wooden box. It is widely accepted as the most traditional way to frame photography—especially rare or vintage works—giving visual priority to the image and yet fitting stylishly into most interiors. The price includes framing in this style, however it is possible to buy the work un-framed.

Shipping

We aim to ship works that are unframed within 2 weeks, and within 6 weeks for works that require framed. We always aim to get your print to you as quickly as possible! However, please note that the times above may vary depending on the work. For exact timings, please get in touch. All works are shipped from the UK. Please note that prices listed above does include framing, but excludes shipping costs and any relevant taxes that may vary depending on your location.

Artwork In Detail

Blumenfeld’s highly stylistic fashion photography helped shape the look of the 1940s and 50s. His first double-page spread was in 1944, and featured his daughter Lisette’s legs. One of his most dramatic and experimental fashion shots reduced his model Jean Patchett to a pair of lips, a beauty spot, and one single eye. It was used as the cover of Vogue in 1950, and is now considered one of the magazine’s most iconic covers.

Erwin Blumenfeld, 'Nude Under Wet Silk, c. 1937'
Erwin Blumenfeld, 'Nude Under Wet Silk, c. 1937'

Erwin Blumenfeld

Nude Under Wet Silk, c. 1937

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Erwin Blumenfeld, ‘Nude Under Wet Silk’ (c. 1937)

Erwin Blumenfeld

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The Artist

Erwin Blumenfeld (1897-1969) was one of the greatest innovators of twentieth-century photography. From his early black and white nudes to his colourful and glossy fashion photography of the 1950s and 60s, he consistently pushed both stylistic and technical boundaries.

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